Romy Oltuski’s Weblog

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No Surprises, huh? July 16, 2008

After all the commotion caused by “In Rainbows” last October, it would be difficult to imagine Radiohead clinging to any music industry traditions. But to think their album could churn out any more oddities came as something of a shock.

Radiohead stepped up to the challenge, though, and this week, released their “House of Cards” video, whose images were produced, not with lights or cameras, but wholly with “3D plotting technologies”.

The video was crafted using visualizations of data describing the “shapes and relative distances of objects,” namely, Thom’s head. If that doesn’t quite cut it for an explanation, though, find out what really went into the project by watching it in the makings:

If the video really caught your interest, you can make your own and upload it to the Youtube group. Or read more about Radiohead’s “House of Cards” video at Stereogum.

 

Rocket Surgery Remix Contest: Compete to Win Your Dirtybird Record-Release July 15, 2008

Think you can mix? Just want to try?
Good. We’re looking for you.

This month, we’ve teamed up with Ableton Live and Dirtybird to host our second ever remix competition, featuring the Martin Brothers track ‘Dum’. Through September 15th, you’ll have the chance to remix the track and upload it to our competition website, where it will be showcased and voted on by listeners.

The winner, determined by online voters and Dirtybird evaluators, will receive a grand prize digital record-release with Dirtybird. Other prizes to be distributed among first-place and runner up winners include a pair of M-Audio BX8a Deluxe studio monitors, a Glyph Technologies professional-grade hard drive, Dancetracks free download credits, and Ableton software and merchandise.

We think this competition could be the chance of a lifetime for undiscovered, talented musicians and we’re not alone. “At Dirtybird, we are always on the hunt for new musical talent,” said Martin Brothers’ Christian Martin, “this contest is the perfect platform for hungry bedroom producers to break through to the next level.”

Dirtybird’s Claude VonStroke feels the same way. “We are excited about this contest and we are looking for some people who ‘get it,’” he told us, “so please don’t bother turning in your big room electro house remix. I want to hear some sweaty ass-jiggling tracks.”

The contest, running July 15th – September 15th, is free to enter and Ableton Live software will provide competitors with a complementary Live audio file-set, warped and arranged for easy mixing.

Visit the remix website (www.dirtybirdremix.com) now to test out your talents, enter the contest, and present your work to Claude VonStroke. Yours could be the sweaty ass-jiggling track he’s looking for!

 

Danny Byrd’s Production Diary July 8, 2008

Filed under: Entertainment of the Day. . ., Music — romycom @ 8:19 pm
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Danny Byrd just released some great behind-the-scenes footage of the making of his latest album, Supersized. In it, he talks about his decision to document the recording process, the meaning behind the album title, and his relationships with some of the album’s guest stars.

Full with stories about drunken encounters, talk box demonstrations, and his ever-decorative Spongebob Squarepants stuffed doll sitting nearby, Danny narrates an invigorating storyline that gives us insight to his wacky yet down-to-earth personality.

Check out his production diary. It’s definitely worth a peek.

Danny Byrd’s Supersized production diary from Hospital Records on Vimeo.

 

Remember When That Teenage Singer Got Discovered on Youtube? This is Better. July 7, 2008

Sasa Djuric of Serbia is just one among many participants in the recent fad of crafting DIY Ableton Live midi controllers. But from the moment he was scooped up from the CDM Flickr pool, people realized his work went above and beyond most DIY creations.Djuric, His prototype controller is not only visually similar to the software’s on-screen controller but also works with it bi-directionally and even features functions that the software lacks, including a scratching board connected through NI Traktor. In fact, that is why he decided to take the DIY route to begin with: “There’s no commercial controller that really comes close enough to what I wanted to have,” said Sasa in an interview with createdigitalmusic.com.

What’s most impressive about Sasa’s projects, though, is the meticulous care he puts into every detail of the aesthetic, organizational, and technical functions of his creations. He crafts the buttons individually from 3, 4 and 6 mm laser cut acrylic, designs the 15 LED feeder receiver with feeders that have snap function, meaning “there will be no ugly ‘jump’ if the physical fader doesn’t correspond to the volume position in Live,” and even eliminates the spaghetti of wire seen with most professionally manufactured control boards. “I couldn’t afford to have messy wiring so I paid special attention to do it tidy,” said Sasa, “I wanted this controller to be as compact as possible . . . no place for mess.”

And he surely succeeded. The final product is not yet complete but it’s in its final stage and already looks like something Ableton could buy up and sell as is (hint, hint).

But whether the product sells commercially or remains strictly a DIY project, Sasa’a creations are revolutionizing the DIY Ableton movement. The fact that one man can craft what costs professional companies expert teams, huge production centers, and months of testing, really says something about DIY technology and seems to inspire people everywhere –

After posting photographs of his technology at different stages of production as well as video clips, breaking down steps to production and usage, Sasa has amassed quite a Flickr fan base. Join them and check out his media on Flickr or read more bout Sasa’s technology at createdigitalmusic.com.

 

Documenting History, One Cassette at a Time July 7, 2008

Admit it or not, we all remember that hazy chapter between vinyl records and CDs, known as the audiocassette. Some even boast a leftover stack of mix tapes or even an impressive, growing collection. Not many rival the C-90 Project, though.

The project, which aims to document the history of the audiocassette, archives every type ever created since the founding father audiocassette made by Phillips in 1962.

The antiquated medium, whether a new collector’s item or just a nostalgic throwback, is apparently a diverse one. You really can’t grasp just how many have been made in the past forty-six years until browsing the project’s website archives.

Here are some of the wackier ones:

The recently updated website now also features organization by brand and format (compact cassette, standard size, microcassette, and minicassette) and has discussion boards for cassette enthusiasts in English and Russian. Chances are, you’ll find every cassette made up there but the project encourages user additions so if you don’t, you can take part yourself.

 

Sheer Awesomeness June 24, 2008

Filed under: Entertainment of the Day. . . — romycom @ 12:53 pm